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  • Blogs

At Stanford, amara tabor-smith Explores a More Expansive Vision of Dance Education

An award-winning performer, choreographer, artistic director, and educator, amara tabor-smith taught at University of California,…

  • Blogs

Let’s Talk About Breast Support in Ballet

I started wearing a sports bra under my leotard when I was 12. At first,…

  • Blogs

Apart from classical performances, a naval band was part of this year’s Virasat Festival

Into its 31th edition, the annual festival is held in Dehradun and spans 15 days.

  • Blogs

Sridevi Nrithyalaya’s new work explores the nine modes of bhakti through dance

Choreographed by Sheela Unnikrishnan, the production was based on Veda Vyasa’s Shiva Mahapuranam.

  • Blogs

The Royal Ballet School Announces New Teaching Pathways with RAD and ISTD

The Royal Ballet School’s Diploma of Dance Teaching (DDT) students will now be able to…

  • Blogs

“Bottom of the Pyramid”: Nia Sioux, in Her Own Words

Eight years after her seven-season run on the hit reality show “Dance Moms” ended, Nia…

  • Blogs

Letter From the Editor: Passion Meets Purpose

The countdown to our end-of-year performances has officially begun! We’ve shared valuable resources on everything…

  • Blogs

How Rachel Leigh Dolan Uses Music to Get Her Students in the Right Mindset for Class

As a musical-theater teacher, Rachel Leigh Dolan feels a certain obligation to honor the music…

  • Blogs

How to Cultivate a Gender-Inclusive Ballet Studio Environment

The ballet studio has historically had rigid gender-normative standards. But making it a space where…

  • Blogs

Kavyaa Kannan exuded confidence while portraying the myriad emotions of the lovelorn heroine

Kavyaa chose the timeless ragamalika varnam composed by Dandayudapani Pillai to convey the angst of…

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