Akira Uchida’s choreography doesn’t fit neatly into a stylistic box. Originally from Ottawa, Canada, and now based in New York City, he grew up immersed in the world of competitions and conventions, honing his skills in jazz, tap, hip hop, ballet, and contemporary. After graduating from a performing arts high school, Uchida dove headfirst into Toronto’s commercial industry as a dancer. Itching for something more, he soon shifted his focus to choreography and teaching. Uchida has since collaborated with the Clyfford Still Museum in Denver, Colorado, the art and design video channel NOWNESS, and brands including Reebok, Nike, and Juicy Couture.
Uchida deftly synthesizes multiple streams of inspiration into a coherent idea. Club culture and electronic music influence his movement vocabulary, leading to choreography that’s raw, joyful, intimate, and hypnotic. As Uchida’s body of work continues to grow, so does his curiosity—he is currently developing an extensive body of research on groove and how to access it within the body: “I believe that there’s a really healing aspect to that modality of movement,” he says.
Cultivating Connections
“As a choreographer, I think it’s important to be accessible to dancers. I make an effort to meet new dancers and make a point of teaching a lot in New York. I love connecting with the community through class or even just inviting people to a rehearsal.”
Between Two Worlds
“I’m always navigating how to bridge the concert world and the commercial-dance world, and I feel grateful to exist as an artist in this moment in time because I think that, even 10 years ago, I probably would’ve had to choose a lane. Making work in those worlds involves very different processes, but it’s important for me to cultivate my voice in both spaces.”
The Next Generation
“With my students, there’s such an availability—they just want to grow and learn. There’s so much hope about what’s possible for them as dancers. As a teacher, I remind myself that my words really do have the potential to make a huge impact.”
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