Jo Na-In on Choreographing “Golden” and “Takedown” for “KPop Demon Hunters”

Jo Na-In on Choreographing “Golden” and “Takedown” for “KPop Demon Hunters”

Netflix’s animated musical movie KPop Demon Hunters has broken all kinds of records, becoming the platform’s most-watched movie ever in only three months. With hundreds of millions of views across the globe, the film’s catchy tunes, epic fight scenes, and powerful female protagonists have made fans out of all kinds of people, whether or not they’d listened to K-pop before. But what is K-pop without its choreography? Dance is also an important feature of KPop Demon Hunters, which is filled with energetic concert scenes and movement-heavy musical breaks. The film follows the fictional girl group HUNTR/X, who are also secretly […]

Recently Moved? Here’s How to Find Work as a Dance Teacher

When you move to a new city, your job hunt might look a little different from the average person’s. Sure, there are some job boards out there. But they’re not the way most dance educators get hired. “When you’re a creative, one of the blessings and curses is that you have to do life creatively,” says Pat “Planet” Opran, a dancer and teacher in Boston.  For dance teachers, getting plugged into the local scene is often the only way to find out what opportunities exist, who has openings, and how to put your name in the hat. This can take […]

Let’s Play!: The Place of Play in Ballet Pedagogy

Creative Movement classes exploring space with scarves. Teenaged students competing in groups to test their knowledge of ballet body positions and other terminology. Adults experimenting with pirouette tricks in independent class time. These are all ways that “play” can contribute to ballet pedagogy.  Play-based approaches can encourage experimentation, engagement, and self-discovery—and not just for the youngest dancers. Here are some reasons why you might consider incorporating play into your ballet classroom, as well as some ways to get started.   Why Use Play in Ballet?  Deborah Damast, clinical associate professor and director of dance education at New York University’s Steinhardt School […]

How Robbie Blue Choreographed Gap’s Viral KATSEYE “Better in Denim” Campaign

How Robbie Blue Choreographed Gap’s Viral KATSEYE “Better in Denim” Campaign

You’re bound to have seen it by now. With more than 400 million views in just three days, Gap’s “Better in Denim” dance video campaign has taken the internet by storm since it dropped on August 19. Choreographed by breakout talent Robbie Blue, and set to Kelis’ 2003 hit “Milkshake,” the video features girl group KATSEYE performing Blue’s addictively precise, quirky-yet-sexy movement alongside 30 denim-clad dancers. The result is a fun, edgy celebration of dance and togetherness (and denim) you can’t help but watch again and again. So what went into the making of Gap’s most viral ad yet? Dance […]

Catching Up With Dance Theatre of Harlem School Director Tai Jimenez

DTH School Director Tai Jimenez. Photo by Nir Arieli, courtey DTH. Tai Jimenez, born and raised in Queens, New York, began her ballet training with Joan Millen Mesh. She went on to study at the School of American Ballet for four years before joining Dance Theatre of Harlem at age 17. Jimenez was a principal ballerina with DTH for 12 years before joining Boston Ballet as a principal and performing as a guest artist with New York City Ballet and on Broadway. She went on to teach at The Boston Conservatory and Harvard University before being invited to take the […]

Misty Copeland’s and Tiler Peck’s New Advice Books for the Next Generation

Misty Copeland’s and Tiler Peck’s New Advice Books for the Next Generation

For young dancers, having a mentor can be a lifesaver. But not every student has access to that one dancer at the studio with the perfect advice for every situation—the kind of wisdom that comes from lived experience. American Ballet Theatre principal Misty Copeland and New York City Ballet principal Tiler Peck, having reached great heights in their own dance careers, are helping to fill that gap. Recently, they both wrote books that lend a helping hand to younger dancers—or kids with any interests—by providing tips, how-tos, and anecdotes on navigating young life. Letters to Misty (Simon & Schuster, May […]

How Dance Academy of Virginia Grew Into a 7-Figure Organization During the Pandemic

Katherine Horrigan, founder and CEO of Dance Academy of Virginia, started her studio-owner journey unexpectedly at the beginning of the COVID-19 pandemic, when the studio she’d been directing for 10 years, Adagio Ballet School of Dance, decided to permanently close. She had one month before the fall dance season to decide if she was going to risk opening a new business in order to support the dancers who had lost a home studio. “I realized this was an opportunity to bring everybody back together,” says Horrigan. “I felt very compelled to create an opportunity for the community, and for myself, […]