When Preparing Students for Broadway, Focus Your Theater Class on Character and Storytelling
A musical theater dance class used to be very easily defined. The style of movement…
5 months ago
How to Learn From Rejection and Prepare for the Next Audition
The first time Jessica Tong auditioned for Hubbard Street’s second company, she made it to…
5 months ago
The Dhananjayans trace their creative journey
Natyacharyas V.P. and Shantha Dhananjayan spoke about the nuances of dance and their choreographic works…
5 months ago
How Jean Freebury Challenges Students to Trust Their Ideas About Rhythm
During the 11 years that Jean Freebury danced for the Merce Cunningham Dance Company, she…
5 months ago
How Canada’s Chan Hon Goh Discovered Her Own Leadership Style at the Multigenerational Goh Ballet Academy
Chan Hon Goh, CM, DLitt, may be the only daughter of Choo Chiat and Lin…
5 months ago
Why pole dance is for everyone
More women, and occasionally men, of all ages are discovering the benefits of pole dancinge,…
5 months ago
Rhythm and roots: Citsabha’s artistic odyssey with Svadhyaya
Join classical dancers, Srividya Angara Sinha and Shubha Nagarajan, as they present the second edition…
5 months ago
How Loyola University Chicago’s Master’s Program Is Certifying Dance Teachers for Public Schools
“I started dancing when I was 4,” says Diane Rawlinson, now 63 years old. “If…
5 months ago
Educator Moves: Shifts in the Dance Education Landscape From Winter 2024–25
From director shifts to faculty appointments and beyond, here are the major dance educator moves…
5 months ago
Shanmugasundaram pays tribute to guru K.J. Sarasa with a well-structured show
Shanmugasundaram performed compositions on Shiva at the Sarasalaya Dance festival, in Chennai recently
5 months ago