There is a different segment on Bharatanatyam artist Rama Vaidyanathan’s site called ‘specialized necessities’. This segment is given to points of interest, for example, the stage for symphony, its size and where it should be put in front of an audience, what the sound framework for the execution needs to involve, the various types of lights and even illustrates what the green room must have. While this is principally implied for coordinators abroad, I was still struck by the measure of arranging and the possibility that it is the artist’s obligation too to broadly expound in all their particulars. As […]
