Guru Samarpanam, presented by the students Kalakshetra, featured pieces choreographed by well-known acharyas.

The NYCDA Difference: “Sometimes You Win, Sometimes You Learn”
“You belong.” That’s the motto New York City Dance Alliance faculty member Desmond Richardson, who specializes in contemporary jazz/ballet, says is always emphasized when dancers walk in the door. “What I notice here at NYCDA is that courage, that belief in oneself, that belonging is prime,” he says. “And really, for me, it’s everything.” As a dance convention, NYCDA focuses on education and serves as a connector between the convention world and the professional dance world. It offers resources and professional training opportunities such as intensives, industry-led workshops, scholarship programs, college auditions, and more. Richardson, who is also co-founder and […]
You’re Invited to the 2025 Dance Teacher Awards Ceremony!
Join us in celebrating our 2025 Dance Teacher Award honorees on Tuesday, October 7th, at The Loft at City Winery in New York City. Doors open at 11 a.m., and the event will run from 11:30-1:30. Light refreshments will be served. Get your tickets here! The annual Dance Teacher Awards honor extraordinary educators for their contributions to the field. These are instructors who have a unique or outsized impact on their students and community, thanks to their experience, knowledge, forward-thinking pedagogy, and commitment to dancers’ overall well-being. The 2025 honorees are: Lori Belilove, artistic director of the Isadora Duncan Dance […]

Meet Corey Baker, the Brains Behind “Wednesday” Season 2’s Woe-tally Creepy Choreography
There’s an easy way to remember how to pronounce Corey Baker’s name: “It’s Corey, like ‘choreographer,’ ” he says. “My last name’s Baker, so I had two choices in life—either to become a choreographer or a baker. And I can’t bake!” Jokes aside, Baker knew for years that dance was his path. Born and raised in New Zealand, he started tapping after a fascination with magic shows led him to try musical theater. When his high school English teacher (who owned a dance studio) suggested he try ballet, Baker became hooked and moved to Australia to study it full-time. He danced […]
Piyal Bhattacharya’s ‘Marga natya’ is a blend of western and Sanskrit theatre traditions
Piyal Bhattacharya, founder and director of the Kolkata-based Chidakash Kalalay Centre of Art and Divinity, employs a distinctive training methodology that enables actors to become attuned to both their inner and outer spaces.
Quinn Callahan: Rock-Solid Resourcefulness
Before online tools made dance instruction universally accessible, honing skills beyond one’s local school was much more challenging. Growing up in small-town Illinois prior to the age of the internet, Quinn Callahan, owner and founder of The Rock Center for Dance in Las Vegas, was determined to succeed despite limited resources. As a student at Kim Kallas Studio of Dance, Callahan would come home from dance class so eager to implement what she’d learned that she’d create her own mini-syllabuses. Building on this unconventional practice, Callahan has crafted a training program, Elements, that serves as a launching pad to cast […]
Letter From the Editor: Back to School and Back to Dance
Whether you and your students took the summer off or you’ve been busy with camps and intensives, back-to-school season is special. It’s a time to return to beloved and comfortable routines. It’s also a time to plan for the year ahead—to outline new goals and to implement new initiatives. Starting strong in September can set you up for success through spring recitals and beyond. To inspire you this month, we’re sharing interviews with Tai Jimenez, director of the Dance Theatre of Harlem School; Endalyn T. Outlaw, dean of the School of Dance at the University of North Carolina School of […]
How the Sanskrit treatise Abhinaya Darpanam continues to influence Indian classical dance
Abhinaya Darpanam, which stands out for its granular focus on movement, gesture and expressive technique, lives on vibrantly in practice halls, classrooms and memories of dancers.
Anand Satchidanandan’s performance was an ode to Ramana Maharishi
Anand Satchidanandan performed on the last day of the Acharya Bhartham festival, hosted by Natyarangam in Chennai.